RICHARD L. W. CLARKE


 

 

 

LITS2002 POETRY II

RECOMMENDED READINGS

Please find below a list of selected secondary sources, i.e. commentaries on the period and the poetry which we have been reading in this course.  On any of the topics below, there are numerous alternatives that are equally good or better.  However, these are the ones which I have found useful and which I accordingly recommend.  You are not required to read any of these suggestions (after all, they are only recommended) and you will certainly not be able to read them all, but you might find some of them very helpful in preparing for the exam.  

For obvious reasons, moreover, I cannot put all the entries listed here on reserve in the Main Library.  To locate them, you will have to do some legwork on your own.  Please, where possible, try to cooperate with your fellow students and to share this information with one another rather than hoarding and hiding the material in question.

Please note that I may update this list as new items come to my attention, after the term paper is announced and/or as the exam draws near.  Therefore, please check back on a regular basis for suggestions.

LITERATURE, POETRY, AND SOME KEY CONCEPTS IN LITERARY THEORY AND CRITICISM

  • Literature:

    • Authorship:

      • Harris, Wendell V.  "Author."  Dictionary of Concepts in Literary Criticism and Theory.  Westport, CT: Greenwood, 1992.  15-20.

    • Literary Form:

    • Literary History / Intertextuality / Canonicity:

      • Harris, Wendell V.  "Canon."  Dictionary of Concepts in Literary Criticism and Theory.  Westport, CT: Greenwood, 1992.  21-27. 
      • Harris, Wendell V.  "Literary History."  Dictionary of Concepts in Literary Criticism and Theory.  Westport, CT: Greenwood, 1992.  185-193.
      • Harris, Wendell V.  "Intertextuality."  Dictionary of Concepts in Literary Criticism and Theory.  Westport, CT: Greenwood, 1992.  175-178. 
    • The Reader:
      • Harris, Wendell V.  "Criticism."  Dictionary of Concepts in Literary Criticism and Theory.  Westport, CT: Greenwood, 1992.  49-55.
      • Harris, Wendell V.  "Interpretation."  Dictionary of Concepts in Literary Criticism and Theory.  Westport, CT: Greenwood, 1992.  172-175.
      • Harris, Wendell V.  "Reader."  Dictionary of Concepts in Literary Criticism and Theory.  Westport, CT: Greenwood, 1992.  313-323.
    • Representation:
      • Harris, Wendell V.  "Mimesis."  Dictionary of Concepts in Literary Criticism and Theory.  Westport, CT: Greenwood, 1992.  233-237.
      • Harris, Wendell V.  "Realism."  Dictionary of Concepts in Literary Criticism and Theory.  Westport, CT: Greenwood, 1992.  323-330.

* It is assumed that you have a basic familiarity with the following key concepts defined in Chapter 1:

  • Diction

  • Genre

  • Imagery and Figurative Language

  • Symbolism and Allegory

  • Persona

  • Progression

  • Metre

  • Sound Devices:

    • Rhyme

    • Alliteration

    • Assonance

    • Onomatopoeia

  • Theme

  • Tone

THE ROMANTIC PERIOD (c. 1785 - c.1830)

Overviews of the Philosophical and Theoretical Tendencies of the Period:

  • General:

    • Beiser, Frederick C.  "The Enlightenment and Idealism."  Cambridge Companion to German Idealism.  Ed. Karl Ameriks.  Cambridge: CUP, 2000.  18-36.

    • Brown, Marshall.  "Romanticism and Enlightenment."  Cambridge Companion to British Romanticism.  Ed. Stuart Curran.  Cambridge: CUP, 1993.  25-47.
    • Kitson, Peter J.  "Beyond the Enlightenment: the Philosophical, Scientific and Religious Inheritance."  A Companion to Romanticism.  Ed. Duncan Wu.  Oxford: Blackwell, 1998.  35-47.

    • Thorslev, Peter.  "German Romantic Idealism."  Cambridge Companion to British Romanticism.  Ed. Stuart Curran.  Cambridge: CUP, 1993.  74-94.

  • Communication (Language):

  • Education:

  • History:

  • Human Being (Body, Mind and Self):

  • Knowledge:

  • Morality (Ethics):

  • Nature:

  • Religion:

  • Society (Economics, Politics, Social Structure):

    • Halliday, F. E.  “The Industrial Revolution and Napoleonic War, 1783-1830.”  England: a Concise History.  London: Thames and Hudson, 1964.  153-171.

    • [A BRIEF OVERVIEW]
    • Hobsbawm, Eric.  The Age of Revolution: Europe 1789–1848.  London: Weidenfeld and Nicolson, 1962.  Rpt. London: Abacus, 1997.  [MUCH MORE DETAILLED]

Romantic Poetry:

  • General Overviews / Surveys:

    • Some Useful Anthologies:
      • Abrams, M. H., ed.  English Romantic Poets: Modern Essays in Criticism.  Oxford: OUP, 1960.
      • Bygrave, Stephen, ed.  Romantic Writings.  Milton: Keynes: Open UP, 1996.
      • Curran, Stuart, ed.  Cambridge Companion to British Romanticism.  Cambridge: CUP, 1993.  [IN BOOKSHOP]
      • Gleckner, Robert F., and Gerald E. Enscoe, eds.  Romanticism: Points of View.  Detroit: Wayne State UP, 1962.  Rpt. 1975.
      • McCalman, Iain, ed.  An Oxford Companion to the Romantic Age: British Culture, 17761832.  Oxford: OUP, 1999.
      • Wu, Duncan, ed.  A Companion to Romanticism.  Oxford: Blackwell, 1998.

    • Selected Individual Works:
      • Abrams, M. H.  The Correspondent Breeze: Essays in English Romanticism.  New York: Norton, 1984.
      • Abrams, M. H.  The Mirror and the Lamp: Romantic Theory and the Critical Tradition.  Oxford: OUP, 1953.
        • "Romantic Analogues of Art and Mind."  47-69.
        • "The Development of the Expressive Theory of Poetry and Art."  70-99.
        • "The Psychology of Literary Invention: Mechanical and Organic Theories."  156-183.
        • "The Psychology of Literary Invention: Unconscious Genius and Organic Growth."  184-225.
        • "Literature as a revelation of Personality."  226-262.
        • "The Criterion of Truth to Nature: Romance, Myth and Metaphor."  263-297.
      • Curran, Stuart.  "Romantic Poetry: Why and Wherefore?"  Cambridge Companion to British Romanticism.  Ed. Stuart Curran.  Cambridge: CUP, 1993.  216-235.
      • Lovejoy, A. O.  "On the Discrimination of Romanticisms."  Annual Meeting, Modern Language Association, December 27, 1923.  PMLA 39 (1924): 229-253. 
        • Romanticism: Points of View.  Ed. Robert F. Gleckner and Gerald E. Enscoe.  Detroit: Wayne State UP, 1962.  45-57. 
        • English Romantic Poets: Modern Essays in Criticism.  Ed. M. H. Abrams.  Oxford: OUP, 1960.  3-23.
        • Essays in the History of Ideas.  Baltimore: Johns Hopkins UP, 1948.  228-253.

      • Peckham, Morse.  "Toward a Theory of Romanticism."  PMLA 66 (1951): 5-23. 
        • Rpt. in Romanticism: Points of View.  Ed. Robert F. Gleckner and Gerald E. Enscoe.  Detroit: Wayne State UP, 1962.  231-257.
      • Simpson, David.  "Romanticism, Criticism and Theory."  Cambridge Companion to British Romanticism.  Ed. Stuart Curran.  Cambridge: CUP, 1993.  1-24.
      • Watson, J. R.  English Poetry of the Romantic Period, 1789-1830.  London: Longman, 1985.
      • Wellek, René.  "The Concept of 'Romanticism' in Literary History."  Comparative Literature 1 (1949): 1-23; 147-172. 

        • Rpt. in Concepts of Criticism.  Ed. Stephen G. Nichols, Jr.  New Haven: Yale UP, 1963.  128-198. 

        • Rpt. in Romanticism: Points of View:.  Ed. Robert F. Gleckner and Gerald Enscoe.  Englewood Cliffs, NJ: Prentice Hall, 1962.  192-211.

  • Authorship:

    • Bowra, C. M.  The Romantic Imagination
    • .  Cambridge, MA: Harvard UP, 1950.
      • Excerpt rpt. as "The Romantic Imagination."  The Romantic Imagination.   Ed. John Spencer Hill.  London: Macmillan, 1977.  87-109.
  • Literary Form:

    • Poetry:

      • Genre:
        • Curran, Stuart.  Poetic Form and British Romanticism.  Oxford: OUP, 1986.

          • Chapter 3 "The Sonnet" (29-55)
          • Chapter 4 "The Hymn and Ode" (56-84)
      • Language:
        • Keach, William.  "Romanticism and Language." Cambridge Companion to British Romanticism.  Ed. Stuart Curran.  Cambridge: CUP, 1993.  95-119.
      • Structure:
        • Abrams, M. H.  "The Correspondent Breeze: a Romantic Metaphor."  Kenyon Review 19 (1957): 113-130. 
          • The Correspondent Breeze: Essays in English Romanticism.  New York: Norton, 1984.  25-43.
          • Revised version in English Romantic Poets: Modern Essays in Criticism.  Oxford: OUP, 1975.  37-54.
        • Abrams, M. H.  "Structure and Style in the Greater Romantic Lyric."  From Sensibility to Romanticism.  Ed. Frederick W. Hilles and Harold Bloom.  Oxford: OUP, 1965.  527-560. 
          • The Correspondent Breeze: Essays in English Romanticism.  New York: Norton, 1984.  76-108.
        • Wimsatt, W. K.  "The Structure of Romantic Nature Imagery."  The Age of Johnson.  New Haven: Yale UP, 1949. 
          • Rpt. in The Verbal Icon.  103-116. 
          • Rpt. in English Romantic Poets: Modern Essays in Criticism.  Ed. M. H. Abrams.  Oxford: OUP, 1960. 
  • Literary History / Intertextuality / Canonicity:
    • Historicism:
      • Abrams, M. H.  "English Romanticism: the Spirit of the Age."  Romanticism Reconsidered: Selected Papers of the English Institute.  Ed. Northrop Frye.  New York: Columbia UP, 1963.  26-72. 
        • The Correspondent Breeze: Essays in English Romanticism.  New York: Norton, 1984.  44-75.
      • Butler, Marilyn.  Romantics, Rebels and Reactionaries: English Literature and its Background, 1760-1830
      • .  Oxford: OUP, 1980.
      • Cauldwell, Christopher.  "English Poets: (II) the Industrial Revolution" and "English Poets: (III) the Decline of Capitalism."  Illusion and Reality: a Study of the Sources of Poetry.  London: Macmillan, 1937.  Rpt. London: Lawrence and Wishart, 1947.  88-98; 99-122.
        • Rpt. as "English Poets at the Time of the Industrial Revoloution."  Twentieth Century Literary Criticism: a Reader.  Ed. David Lodge.  London: Longman, 1972.  203-210.
        • Rpt. as "The Bourgeois Illusion and Romantic Poetry" in Romanticism: Points of View.  Ed. Robert F. Gleckner and Gerald E. Enscoe.  Detroit: Wayne State UP, 1962.  117-129. 
      • Dawson, P. M. S.  "Poetry in an Age of Revolution."  Cambridge Companion to British Romanticism.  Ed. Stuart Curran.  Cambridge: CUP, 1993.  48-73.
      • McGann, Jerome J.  The Romantic Ideology: a Critical Investigation
      • Chicago: U of Chicago P, 1983. 
      • McGann, Jerome J.  "Romanticism and its Ideologies."  Studies in Romanticism 21 (1982): 573-599.
      • Williams, Raymond.  "The Romantic Artist."  Culture and Society, 1780-1950.  New York: Columbia UP, 1958.  48-64. 
        • Rpt. in Romanticism: Points of View.  Ed. Robert F. Gleckner and Gerald E. Enscoe.  Detroit: Wayne State UP, 1962.  269-285.
    • The Tradition:
      • Abrams, M. H.  Natural Supernaturalism: Tradition and Revolution in Romantic Literature.  New York: Norton, 1971.
      • Abrams, M. H.  "Neoclassic and Romantic."  A Glossary of Literary Terms.  New York: Holt, Rinehart and Wilson, 1993.  125-130.
      • Bate, Walter Jackson.  From Classic to Romantic: Premises of Taste in Eighteenth Century England.  Cambridge, MA: Harvard UP, 1946.
      • Bloom, Harold.  The Visionary Company
      • : a Reading of English Romantic Poetry.  Garden City, NY: Doubleday, 1961.
      • Cobban, Alfred.  Edmund Burke and the Revolt Against the Eighteenth Century.  London: George Allen and Unwin, 1960.
        • "The Revolt Against the Eighteenth Century."  Romanticism and Consciousness: Essays in Criticism.  Ed. Harold Bloom.  +New York: Norton, 1970.  132-146.
      • Grierson, H. J. C.  Classical and Romantic.  Cambridge: CUP, 1923. 
        • Extract rpt. in Romanticism: Points of View.  Ed. Robert F. Gleckner and Gerald E. Enscoe.  Detroit: Wayne State UP, 1962.  20-33.
  • The Reader:
  • Representation:
    • Cooper, Andrew M.  Doubt and Identity in Romantic Poetry
    • .  New Haven: Yale UP, 1988.
    • Hartman, Geoffrey.  "Romanticism and Anti-Self Consciousness." 
      • Rpt. in Romanticism: Points of View.  Ed. Robert F. Gleckner and Gerald E. Enscoe.  Detroit: Wayne State UP, 1962. 
    • Van Den Berg, J. H.  The Changing Nature of Man.  New York: Norton, 1961. 

      • See excerpt "The Subject and his Landscape."  Romanticism and Consciousness: Essays in Criticism.  Ed. Harold Bloom.  New York: Norton, 1970.  57-65.

    • Wasserman, Earl R.  "The English Romantics: the Grounds of Knowledge."  Studies in Romanticism 4 (1964): 17-34. 

      • Rpt in Romanticism: Points of View.  Ed. Robert F. Gleckner and Gerald E. Enscoe.  Detroit: Wayne State UP, 1962.  331-346.

    • Wolfson, Susan.  The Questioning Presence: Wordsworth, Keats, and the Interrogative Mode in Romantic Poetry.  Ithaca: Cornell UP, 1987.

THE 'VICTORIAN' PERIOD (c. 1830 - c.1890)

Overviews of the Philosophical and Theoretical Tendencies of the Period:

  • General:

    • Gilmour, Robin.  The Victorian Period: the Intellectual and Cultural Context of English Literature, 1830-90.  London: Longman, 1993.
    • Houghton, Walter.  The Victorian Frame of Mind, 1830-1870.  
    • Oxford: OUP, 1957.
  • Being (The Nature of Reality):

  • Communication (Language):

  • Education:

  • History:

  • Human Being (Body, Mind and Self):

  • Knowledge:

  • Morality (Ethics):

  • Nature:

  • Religion:

  • Society (Economy, Politics, Social Structure):

    • Halliday, F. E.  "Reform, Free Trade and Prosperity, 1832-1865."  England: a Concise HistoryLondon: Thames and Hudson, 1964.  172-186.
    • Halliday, F. E.  "Gladstone and Disraeli, 1865-1886."  England: a Concise HistoryLondon: Thames and Hudson, 1964.  187-191.
    • Hobsbawm, Eric.  The Age of Capital, 1848-1875London: Weidenfeld and Nicolson, 1975.  Rpt. London: Abacus, 1997.  [MUCH MORE DETAILLED]

Victorian Poetry:

  • General Overviews / Surveys:
    • Some Useful Anthologies:
      • Bristow, Joseph, ed.  Cambridge Companion to Victorian Poetry.  Cambridge: CUP, 2000.  [IN BOOKSHOP]
      • Lerner, Laurence, ed.  The Victorians
      • .  New York: Holmes and Meier, 1978.
      • Tucker, Herbert F., ed.  A Companion to Victorian Literature and Culture.  Oxford: Blackwell, 1999.
    • Selected Individual Works:
      • Abrams, M. H.  "Victorian Period."  A Glossary of Literary Terms.  New York: Holt, Rinehart and Wilson, 1993.  153-154.
      • Armstrong, Isobel.  Victorian Poetry: Poetry, Poetics and Politics.  London: Routledge, 1993.
      • Bristow, Joseph.  "Reforming Victorian Poetry: Poetics after 1832."  Cambridge Companion to Victorian Poetry.   Cambridge: CUP, 2000.  1-24.
      • Latané, David E.  "Literary Criticism."  A Companion to Victorian Literature and Culture.  Ed. Herbert F. Tucker.  Oxford: Blackwell, 1999.  388-404.
      • Lerner, Laurence.  "Poetry."  The Victorians.  Ed. Laurence Lerner.  New York: Holmes and Meier, 1978.
      • Richards, Bernard.  English Poetry of the Victorian Period, 1830-90.  London: Longman, 1988.
      • Slinn, E. Warwick.  "Poetry."  A Companion to Victorian Literature and Culture.  Ed. Herbert F. Tucker.  Oxford: Blackwell, 1999.  307-322. 
  • Author:

    • Ball, Patricia M.  The Central Self: a Study in Romantic and Victorian Imagination.  London: Athlone, 1968.
    • Slinn, E. Warwick.  The Discourse of Self in Victorian Poetry.  Charlottesville: U of Virginia P, 1991.

  • Literary Form:

    • Poetry:

      • Genre:
        • Langbaum, Robert.  The Poetry of Experience: the Dramatic Monologue in Modern Literary Tradition.  New York: , 1957.
      • Structure:
        • Armstrong, Isobel.  Language as Literary Form in Nineteenth Century Poetry.  Brighton: Harvester, 1982.
  • Literary History:
    • Historicism:
      • Harrison, Antony H.  Victorian Poets and the Politics of Culture: Discourse and Ideology.  Charlottesville: U of Virginia P, 1998.
    • The Tradition:
      • Harrison, Antony H.  Victorian Poets and Romantic Poems: Intertextuality and Ideology.  Charlottesville: U of Virginia P, 1990.
      • Langbaum, Robert.  The Modern Spirit: Essays on the Continuity of Nineteenth- and Twentieth-Century Literature.  Oxford: OUP, 1970.
  • Reader:
  • Representation:
    • Shaw, W. David.  The Lucid Veil: Poetic Truth in the Victorian Age.  London: Athlone, 1987.

 

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