WEEK 4: QUESTIONS ON
MEDIEVAL AESTHETICS / CRITICAL THEORY
PLATO CRATYLUS
- Is ‘naming,’ that is, the relationship between name (word) and
thing, sign and referent, a purely arbitrary affair left up to the whim
of the individual, according to Socrates?
- Is ‘naming’ a purely arbitrary affair determined by consensual or
collective agreement, according to Socrates?
- If your answers to the two preceding questions are both ‘no,’ why
is naming not an arbitrary affair, according to Socrates?
- Do ideas exist in our mind before or without language?
- What is the twofold function of language?
- What originally determined the assignment of a given word or sign
to a particular thing or referent by the so-called ‘name-giver’
or 'legislator,' according to Plato?
- Why have signs lost their original form?
- Why are words unsatisfactory for Plato?
ST. AUGUSTINE ON
CHRISTIAN DOCTRINE
- What is the difference, according to St. Augustine, between a ‘sign’
and a ‘thing’? What are the most important ‘things,’ according to
St. Augustine?
- What is the difference, according to St. Augustine, between ‘natural’
and ‘conventional’ signs?
- What is the difference, according to St. Augustine, between ‘literal’
and ‘figurative’ signs? What is the latter responsible for?
- What is the difference, according to St. Augustine, between ‘oral’ and
‘written’ signs?
- How does St. Augustine implicitly conceive of human consciousness?
Are ideas possible without language?
ST. THOMAS AQUINAS SUMMA
THEOLOGIAE
- Why, according to Aquinas, do some people think that figurative language
has no place in the Bible?
- Why, according to Aquinas, is figurative language unavoidable?
- What are the two levels of signification into which any passage in the
Bible is divisible, according to Aquinas?
- Name the four subcategories into which the first level of signification is
divisible, according to Aquinas. Give an example of each.
- Name the three subcategories into which the second level of signification
is divisible, according to Aquinas. Give an example of each.
DANTE THE BANQUET and "LETTER
TO CAN GRANDE DELLA SCALA"
- What are the four senses or levels of meaning of a
given text, according to Dante? Where necessary, give examples.